Rob Rule conjures up the coolest Bar Chord ever

Hot new music club opens in...Knapp, Wisconsin?!



When St Paul Music Club (SPMC) founder Rob Rule parted ways with The Turf Club a few years ago because of an ownership change, those who knew him figured he wouldn't be out of action for very long. And they were right. Rule's now the proud owner of the brand spanking new Bar Chord bar/restaurant/music club in Knapp, Wisconsin, about an hour east of Mpls -- a testament to Rob's perseverance and resourcefulness as well as his determination to get back into something he passionately believes in.

After leaving the Turf, Rob and his wife Leah bought a farm close to Knapp and fulfilled a long time dream of "getting back to the country." After a spell of looking for a bar/club to buy as well as booking bands in nearby Menomonie (8 miles down the road), Rule and a partner eventually came across the future Bar Chord. A previous owner had sunk 3/4 of a million dollars renovating the space, which had existed for 60+ years, mostly as a supper club/lounge kinda deal. For a variety of reasons, the previous owner went out of business in short order and the bank repossessed the property. Rob and his new partner got a great -- if not once in a lifetime -- deal on the place. You might even say they got it for, appropriately enough, a "song." Rob figured his budget would limit him to a "fixer upper" kinda place; he had no idea he would soon be the owner of an establishment that looks like it was just built a few years ago.

When you walk in the door for the first time, the last thing that enters your mind is that you're walking into a "dive." There's a huge restaurant, a spiffy new bar/billiard room and a large music room with a high ceiling and clear view of the stage. The recent renovation is evident everywhere you turn -- everything seems brand new cuz it is, from the bathrooms to the bar itself; there are even new flat screen TVs!!? Rob has decorated the place with his trademark style that will be instantly familiar to fans of the original Turf Club. The attention to detail as well as the "lived in" aura of the whole place is strangely deceiving; the joint looks like it's been up and running for years, not mere weeks.

Above the entrance to the music room you can't help but notice a large proclamation: "Live Music is Better," a motto of Rob's for sure as well as a nod to Neil Young, one of his musical heroes. The stage (with video monitors below spelling out the name of the place) is spacious, the PA is first-rate and the overall vibe is about as comfortable as a live music venue can be. If the Bar Chord was in the Twin Cities, i can guarantee you that it would instantly be one of the most popular places in town. It's certainly the hottest joint in the "greater Knapp" area. :-)

One of neatest things about the Bar Chord -- and something that made me chuckle as soon as i pulled up in the parking lot -- is evident before you even walk in the door. Rob has transferred the spirit and mythology of the old "SPMC" to the new "BCMC" (Bar Chord Music Club), right down to the design of the logo itself. Very cool. Even though you're an hour away from the Twin Cities, when you walk in you feel like you're on familiar, er, turf; that you've come back home.

And, in a way, you have.

So far, Rob is booking live music on Fridays and Saturdays. He's hoping to tap into the nearby Stout and River Falls college markets, as well as drawing those adventerous souls from the Twin Cities who are willing to make the journey to Cheesehead land. The BCMC roster over the last few weeks eerily resembles Turf Club calendars from a few years ago -- Rank Stangers, Ol Yeller, Kruddler, Grant Hart, etc.

As for the drive from the Twin Cities, it ain't no big thing -- an hour straight out I-94 to exit 32, go a few miles north down into the valley and you'll soon find yourself on HWY 12 in beautiful downtown Knapp. Speaking as a veteran of numerous runs up to the Red Carpet in St. Cloud, this is an even easier trip, perfect for a mini weekend getaway to a land that time has seemingly forgot (wait to you see the prices on the restaurant menu; talk about reverse sticker shock!).

Even though they just opened, the Bar Chord seems to be doing OK with their "food by day, music by night" strategy. Time will tell how business will grow in this remote little burg -- a former stagecoach stop on what was the main highway between the Twin Cities and Chicago back before the interstate was built a half century ago -- but, knowing Rob & Leah and their enthusiasm, ya gotta like their chances. After all, it wasn't that long ago that people were thinking he was nuts for thinking he could start up a rock club in St. Paul's midway -- and look how that turned out.

Kudos to Rob and Leah. Best of luck and long may you -- and the Bar Chord -- run.


Bar Chord

The Drams rock the plaza - Mpls - 6/20/07

And the great free shows just keep on coming…

Just two days after Steve Wynn and his ragtag “Loose Change” outfit blew everybody away at the Hexagon bar in Mpls, Brent Best and The Drams hit one out of the park at a rather unlikely setting, playing a free, early evening outdoor gig on the plaza of the Orchestra Hall, smack dab in the middle of DT Mpls. The Drams appearance was part of a series that the Orchestra Hall puts on in June called “Alive After Five” in which a couple of musical acts perform from 5-9 every single day during the month. These free shows take place in a fairly dramatic location – outside in a sunken plaza cum amphitheater, next to a huge reflecting pool and a series of cement platforms, next to the striking architecture of the Orchestra Hall and the Nicollet Mall, and surrounded by the Mpls skyline. There are beer & food vendors and plenty of good vantage points. Outdoor concerts are all too rare in MN (the Twin Cities is the largest metro area in the country without a proper “shed” venue), so we’re all suckers for a chance to brave the elements in order to get some music in the great outdoors – especially when it’s free.

Brent on the boys put on one hell of a show – two full sets with new and old Drams material, the usual choice covers and a healthy dose of selections from Slobberbone, the beloved band that The Drams evolved from. In a relatively short time since a tentative debut at SxSW a few years ago, The Drams have steadily honed their act, turning into a solid live band in the process, performing with a confident verve that is positively engaging. They kicked things off with a classic Band song and never let up; this was easily the most enjoyable of the handful of local Drams appearances over the last two years. There was even a neat bit of synchronicity during “Des Moines” when a brief sun shower occurred right about the time the lyrics referred to the skies opening up. Wow, man…

Since our neck of the woods – referred to by Brent many times as a musical “motherland” – was a key area in the Slobberbone universe, we were treated to a generous helping of ‘bone classics, including a couple of cool solo versions to start out the second set. There were two new songs – the autobiographical (?) “Man of Note,” which has been around for a few months and the newer “Anything,” which Jess later said was his fave of the new songs they’ve demo-ed so far. “Anything” is a brooding, intense tune that already smells like a classic. Some interesting lyrics, too – “Relief don’t come cheap…But if you know some better way / I’d do anything / And if you felt the way I do / You’d do anything.”

The night ended with a rousing – and surprising – reading of the Drivin’ n’ Cryin’ classic, “Straight to Hell,” a song that used to show up in ‘bone sets a decade ago but hasn’t been heard much since.

To recap: the sound was good, the playing was flawless and the setting was easily worth the price of admission. More, please.

Postscript: since the gig was over at a time when most of the rock world is just starting to get moving and nobody had to leave until the next morning, Brent invited a bunch of us over to world famous Nye’s Bar for some post-gig fun – across the river from DT in the suddenly fashionable NE Mpls neighborhood. Nye’s was, not surprisingly, jumping: Molly Maher was laying down some cool folkbluesamericana grooves in the side bar, the piano bar was kickin’ and there was some kind of wild party going on in the back room. The drinks – and polish beer, hell yeah – were flowin’, road stories were told and just before I left, Keith and the roadie were at the piano bar doing bad karaoke versions of Eddie Rabbit songs. :-) A perfect ending to a perfect evening.



The Drams
6/20/07
Peavey Plaza @ Orchestra Hall – Minneapolis, MN
“Alive After Five”

Set 1
1. The Shape I’m In (The Band cover)
2. Hummalong
3. Trust Jesus
4. Man of Note
5. Never You Mind
6. Crudely Drawn
7. To Love Somebody (Bee Gees cover)
8. Winterlong (Neil Young cover)
9. Des Moines
10. You Won’t Forget

Set 2
1. Pinball (Brent solo)
2. Lazy Guy (Brent solo)
3. Robert Cole (Brent + Chad)
4. Biscuits
5. Billy Pritchard
6. Dunk You in the River
7. Anything
8. Gimme Back My Dog
9. Make a Book
10. I Am the Cosmos (Chris Bell cover)
11. Straight to Hell (Drivin’ n’ Cryin’ cover)

"Loose Change" @ The Hexagon - 6/18/07

Wow. Simply one of the most enjoyable gigs in recent memory. I can’t remember the last time I had so much fun on a Monday nite for free. The night started out with Linda Pitmon, center stage, welcoming everybody and publicly announcing her and Steve’s engagement. After a few hours of crazy ass fun and killer music, it all ended with a volcanic version of The Stooges’ “1969.” The smiles on everybody’s faces after the show – performers and audience alike – told the story better than any 2 bit blog recap ever could. :-)

The catalyst for this ad hoc gig – “Loose Change” is Steve’s perfectly apt nom de rock for these kinda things – was the Fakebook concert two nights earlier over in St. Paul at the Fitz; everybody on stage except Munson was a part of that memorable evening. Since Steve and Linda were still in town, somebody got the bright idea for a proper rock show, although I’m sure none of the planners had any idea just how well things would go.

There was a fair amount of pub for what was essentially a last minute, thrown together affair, so, all things considered, there was a decent crowd at the Hex. There were mentions in a local daily paper and various blogs, an announcement was made at the Fitz and Wynn’s website even had a pretty damn funny listing in the tour schedule section ("Steve Wynn's Loose Change Announces Two-City Summer Tour... The tour begins June 18 at the Hexagon in Minneapolis...then after a much-needed two month rest...the tour will end on August 11.") There was certainly a nicer crowd for this gig than the last local Miracle 3 show (March 2006 at the 400, right up I-35 from SxSW) which says much more about the lameness of local concert goers than it does about the show Steve and his diehard crew dish out on a regular basis. We saw them several times last year in Austin and, for the life of me, I can’t imagine why anybody would ever miss one of their shows on purpose.

After a single rehearsal at Flowers Studio in Mpls, the general plan for the Hex show was a first set of “Steve songs” and a second set of “covers.” The second set had an additional wrinkle – “The Box,” a makeshift ballot box thing that audience members were encouraged to fill with their requests for the cover set. (Steve mentioned “The Box” in his on-line diary; apparently, he’s succumbed to this madness only a few times during his long career). This kind of strategy obviously requires a certain amount of guts – if not, insanity; needless to say, the results for these things generally ranges from ridiculous to awful, with maybe a smidgen of humor popping up in between train wrecks if you’re lucky. The wild card in this case, of course, was the sheer combined experience of the all-star band that Steve had assembled. Pitmon is the “rookie” – and she’s been playing for over 20 years, the last 10 with Wynn. When you factor in the aggregate rock-years of Ackerson, Wynn, Boquist, Munson and Perlman, you’re talking well over a century of rock ‘n’ roll experience.

Things looked quite promising for the first set for a coupla reasons. First, a picture-perfect version of the Dream Syndicate’s “Still Holding On To You” was performed at the Fakebook show with essentially the same band. Their appearance at the Fitz was rather dramatic, too – Lindeen was talking about what she listened to in her younger days and she mentioned that there “was one song I put on every mix tape.” Presto! On walked Steve and company to perform said song. Neat. Second…did I mention who was in the band?

It’s hard to talk about the first set of “Steve songs” without succumbing to pure hyperbole. For Dream Syndicate fans…well, it was pretty much your basic dying and going to heaven kinda stuff, if for no other reason than 5 of the 9 songs from the seminal “Days of Wine and Roses” album – a key moment in post-punk musical history that helped kick-start a movement that is still reverberating today – were performed flawlessly. They sounded way, way better than they should’ve coming from a band with one rehearsal under their belts. Wynn – obviously no slouch in the axe dept – generously let Ackerson take center stage for much of the set. Ed certainly lived up to his “smokin’” nickname; he laid down one scorching lead after another – I can’t remember the last time i’ve seen him have so much fun on stage. Or play with so much skill and passion. Generally, the 3 gtr attack of Ackerson, Wynn & Boquist produced one thrill after another. Bass duties for the night were shared by Marc Perlman and John Munson – talk about an abundance of talent. After a dozen gems from Steve’s back pages, a good chunk of the crowd – fans and neophytes alike – were gasping for air as they made there way to the bar since they pretty much just had their asses kicked.

The second set was memorable just for the half dozen or so covers that the band had cobbled together during rehearsals. These songs found the band absolutely in command, operating at a level that gave little hint to just "thrown together" the whole evening was. The opening 1-2 Dylan salvo set the bar at an extremely high level that was maintained throughout the rehearsed songs. Incidentally, Wynn has memorably dipped into the Dylan songbook on several occasions over the years (dig up his scorching version of “The Groom’s Still Waiting at the Altar” if you can), but Ackerson is no stranger to The Bard’s songs, either; the 27 Various used to kick out a tasty version of “Leopard Skin” back in the day. The songs choices throughout the second set were quite illuminating: Dylan, Stooges, Velvets, Stones, Pere Ubu, Richard Thompson – in other words, a nice, compact primer of many of the things that made the music in the first set so vital and powerful. I was a tiny bit bummed that there were no Neil covers in the second set (Steve has been hammering out a smokin’ “Cinnamon Girl” since his days back at UC-Davis) but only a total curmudgeon would bitch about the wild ride that Steve and company took everybody on during set 2.

The “box” songs in the second set were strictly a bonus, ranging from the predictably humorous (it was absolutely priceless to witness the gang assemble “Jet” piece by tortuous piece) to the surprisingly powerful. There were fun moments a-plenty. Linda even got to hop up front (while Perly manned the drums – a rare turn of events for sure) – lyric sheet in hand – for a stab at the Wreckless Eric classic “Whole Wide World.” The crew wisely alternated the “box” songs with stuff that had been rehearsed to insure that things didn’t venture too far into karaoke-land, although it’s tempting to ponder just what might have happened if they would’ve decided to give themselves completely over to the “box.”

Oh yeah, not to damn by faint praise or anything, but there was another Zuzu’s Petals reunion in the middle of the second set as well. On any other night, this would’ve been big news all by itself. On this particular Monday at the Hex, it was just the icing on the cake for a near-perfect evening of rock. Oh yeah, the price was right, too!


Steve Wynn’s Loose Change
June 18, 2007
Hexagon Bar – Minneapolis, MN

Steve Wynn – gtr, vox
Ed Ackerson – gtr
Jim Boquist – gtr, vox
Linda Pitmon – drums, vox
John Munson * – bass, vox
Marc Perlman ** – bass, drums


SET 1
1. Tell Me When It’s Over *
2. Then She Remembers *
3. Burn *
4. Whatever You Please *
5. There Will Come a Day *
6. Halloween *
7. That’s What You Always Say *
8. Tears Won’t Help *
9. 500 Girl Mornings *
10. Still Holding On To You **
11. Amphetamine *
12. The Days of Wine and Roses *

SET 2
1. Leopard-Skin Pillbox Hat **
2. From a Buick 6 **
3. I’ll Sleep When I’m Dead **
4. Calvary Cross **
5. # Gimme Some Money **
6. # Go All the Way **
7. White Light White Heat **
8. Shake Some Action **
9. # Jet *
-----------------------------------------------------
Zuzu’s Petal reunion – 2 songs
------------------------------------------------------
10. TV Eye **
11. Final Solution **
12. # Whole Wide World (lead vox=Linda; drums=Marc) *
13. # Starfucker (sorta…) **
14. # All the Way to Memphis (a capella)
15. Mother’s Little Helper **
16. The Under Assistant West Coast Promotion Man **
17. # No Matter What *
18. 1969 **

# = “box song” (song picked from a box of request made earlier by audience members)


SOURCES:

SET 1
1. Tell Me When It’s Over = Dream Syndicate – The Days of Wine and Roses
2. Then She Remembers = Dream Syndicate – The Days of Wine and Roses
3. Burn = Dream Syndicate – Medicine Show
4. Whatever You Please = Dream Syndicate – Ghost Stories
5. There Will Come a Day = Steve Wynn & The Miracle 3 – Here Comes the Miracles
6. Halloween = Dream Syndicate – The Days of Wine and Roses
7. That’s What You Always Say = Dream Syndicate – The Days of Wine and Roses
8. Tears Won’t Help = Steve Wynn – Kerosene Man
9. 500 Girl Mornings = Steve Wynn – My Midnight
10. Still Holding On To You = Dream Syndicate – Medicine Show
11. Amphetamine = Steve Wynn & The Miracle 3 – Static Transmission
12. The Days of Wine and Roses = Dream Syndicate – The Days of Wine and Roses

SET 2
1. Leopard-Skin Pillbox Hat = Bob Dylan
2. From a Buick 6 = Bob Dylan
3. I’ll Sleep When I’m Dead = Warren Zevon
4. Calvary Cross = Richard Thompson
5. Gimme Some Money = Spinal Tap
6. Go All The Way = Raspberries
7. White Light White Heat = Velvet Underground
8. Shake Some Action = Flamin’ Groovies
9. Jet = Wings
10. TV Eye = Stooges
11. Final Solution = Pere Ubu
12. Whole Wide World = Wreckless Eric
13. Starfucker = Rolling Stones
14. All the Way to Memphis = Mott the Hoople
15. Mothers Little Helper = Rolling Stones
16. The Under Assistant West Coast Promotion Man = Rolling Stones
17. No Matter What = Badfinger
18. 1969 = Stooges

Mood Swings heat up the Stone Arch festival in Mpls 6-17-07

The weather was hot and stifling, the ground was parched and it was near impossible to get a f***ing beer at this relatively new outdoor fest down by the river in Mpls. And the Mood Swings didn't do much to help the situation -- the temp seemed to go up even a few more degrees after their scorching set.

I get thirsty just looking at these pix. :-)

Laurie Lindeen "Fakebook" @ The Fitz in St. Paul - 6/16/07...many special guests

Don't have much to add to what's been already said about this star-studded, gala affair. Part rock show / part reading / part "storytellers" -- the evening was an unabashed success, mixing tons of great music and insightful stories. Lindeen's hubby was most definitely in attendance (did anybody really think he wouldn't show? -- man, talk about hell to pay on the home front!) and played everything from show tunes to da Stones to his own inimitable compositions (god damn angel, indeed!).

The assembled musicians including a staggering roster of talent: Steve Wynn, Linda Pitmon, Jim Boquist, Ed Ackerson, Mark Olson, Marc Perlman, John Eller, Lori Barbero, and the reunited Zuzu's Petals playing their first gig in over a decade.

Highlights included a mesmerizing reading of a Dream Syndicate classic, the Stones "intermission mini-set" and Westerberg's two solo performances.

Kudos to The Current for this intriguing series and for once again making this beautiful space available to those of us who don't live in Lake Wobegon. :-)

I've included a few pix; unfortunately some crazed usher shut me down early even though i was surrounded by dozens of amateur snappers who continued to click away throughout the rest of the evening.

LAURIE LINDEEN
"The Current Fakebook series"
Fitzgerald Theatre – St. Paul, Minnesota – June 16, 2007

PART 1
Intro- Mary Lucia (Host)
Laurie Lindeen interview- growing up
STEVE WYNN # - "Still Holding On To You"
Interview - musicals
JOHN ELLER & - "'Till There Was You"
Interview - moving to MPLS
MARK OLSON - "Five Cups Of Coffee"
Interview - first gigs, early Zuzu's Petals
ZUZU'S PETALS - "God Cries"

-intermission-

PAUL WESTERBERG * - "Mother's Little Helper"
JOHN ELLER * - "Loving Cup"

PART 2
Interview - touring England
LORI BARBERO (drums, ld vox) + guitarist (?) - "Dogg" (Babes in Toyland song)
Interview - meeting Paul
PAUL WESTERBERG (solo) - "I've Grown Accustomed To Your Face"
PAUL WESTERBERG (solo) - "God Damn Angel"
Interview - Zuzu's Petals 2nd album and later stages
ZUZU'S PETALS - "Love Bullet"
Interview - Laurie reading excerpt from her book
FINALE** - "Daydream Believer"


# band (Ed Ackerson-guitar, Marc Perlman-bass, Linda Pitmon-drums)
& band (John Eller-guitar, vocals; Paul Westerberg-drums; Marc Perlman-bass)
* band (Paul Westerberg-ld vocals, guitar; John Eller-ld vocals, piano;
      Ed Ackerson-guitar; Jim Boquist-guitar; Marc Perlman-bass, Linda Pitmon-drums)
** ld vocals- Eller (everyone as above + Lindeen, Elwood, Barbero, Wynn)

MPRNEWS review + photo gallery (6/22/07) HERE

UPDATE (7/2/24)

Laurie Lindeen passed away on July 1, 2024. She was 62 years old. OBITUARY

"you take one, you take two, there's no limit..."

The Mood Swings rocked the Hex for their CD release party.

They came, they saw, they kicked ass!

Mood Swings playing the Stone Arch Festival this Sunday, June 17

In the blur of activity over the last week, i almost forgot that The Mood Swings will be playing the Stone Arch Festival in Mpls this Sunday at 5 pm down on Main St. between the Stone Arch Bridge and East Hennepin -- right down on the river, directly across from the new Guthrie. What was once a small-ish little neighborhood festival has turned into a fairly BFD. As a bonus, the setting is awesome; it's possibly one of the coolest live music venues you'll find in town during the packed "festival/block party" season. There's even a real cool brand new park right next door that just opened, so this is a no-brainer.

Appearing at 3pm on the same stage is Romantica, an intriguing local folk/country/pop outfit from Belfast via Minnesota who have recently joined forces with local lass Jessy Greene. Romantica has a new album coming out later this summer; i like what i've heard so far on local radio.

Cool show at The Hex this Monday

Just in...

A last-minute show with a fairly stellar lineup will be happening at The Hexagon Bar in Minneapolis this Monday, June 18.

Check out who's slated to appear:

Steve Wynn
Linda Pitmon
Ed Ackerson
Jim Boquist
Marc Perlman
John Munson

It's being billed as "Steve Wynn's Loose Change."

According to Ed Ackerson's blog: "This should be a pretty informal show. We're planning on doing some songs from Steve's solo and Dream Syndicate catalogs, as well as some covers and who knows what else."

Yowsa!

Many of these same musicians will also be appearing at The Fakebook show featuring Laurie Lindeen two nights earlier at the Fitzgerald Theater in St. Paul.

Mood Swings new album No Limit hits stores today

No Limit, the new CD from hot Minneapolis garagerockpoppers The Mood Swings, is now for sale in Twin Cities stores and at the Susstones Shop.

This joyous event will be celebrated with a free CD Release Party at The Hexagon Bar in Mpls this Friday, June 15 with help from Sideways and Mercurial Rage.

Fresh pub from City Pages:

Some groups just can't help but bleed pop hooks, even when those
sugary-sweet melodies come wrapped in barbed-wire guitars. Starting with a '60s garage-rock sound and then filtering it through the fishnet stockings of everyone from Joan Jett to Elastica, the Mood Swings are getting set to unleash a six-song follow-up EP to last year's Come On Tell Me. No Limit has tracks that come at you with a snarl, then blow you a kiss, like the guitar-and-organ-driven "Want Need Love," but the title track shows off a talent for expanded atmosphere. Loon calls and rumbling thunder open the tune, and even when the distorted guitars drop in, it's a finer grind, sleeker and darker than you might expect from the Mood Swings. Expect them to blow down the back wall of the Hexagon (would that make it the Pentagon?) and to look good doing it.
Free. 9:00 p.m. 2600 27th Ave. S., Minneapolis; 612.722.3454. (Steve
McPherson)

http://www.susstones.com/
http://www.susstonesshop.com/
www.myspace.com/themoodswings

Soul Asylum @ "Kruger Aid" - 6/9/07 - Waseca, MN

A few pictures from Soul Asylum's surprise appearance at the Kruger Aid benefit last Saturday in Waseca. Since Pirner was booked for an appearance later in the evening in Minneapolis (about 90m away) with his "Band of Volunteers," Soul Asylum was relegated to "Special Guests" status for all of the Waseca benefit advertising. They also went on fairly early (4:15) so Pirner could get to the Cabooze for his advertised 9pm set. The "secret" became fairly common knowledge the week before the gig; those of us heading south out of the Twin Cities adjusted our travel plans accordingly.

SA played about an hour in Waseca and rocked the asses off of the modest afternoon crowd sweltering in the rodeo pit. Like Golden Smog later in the evening, they were in top fighting trim -- they sounded great and were clearly enjoying the hell out of playing in this fairly strange situation. The recent touring line-up with Michael Bland and George McKelvey was used, with Chief Utility Player Jim Boquist popping up at the end as well. Pirner's little boy bopped on and off the stage throughout the set, planting himself next to his dad like it was no big thing. Watching Dave and his undeniably cute kid rocking out on stage, i couldn't help but think of how far Soul Asylum/Loud Fast Rules have come from the days of being superloud, semi-bratty punks playing the 7th St. Entry 25 years ago...


Setlist (courtesy of CZ)

Somebody To Shove
All Is Well
Misery
Lately
Black Gold
Without A Trace
Cartoon
Runaway Train
Bus Named Desire
Just Like Anyone
Stand Up And Be Strong (w/ Jim Boquist and one of the roadies on guitars; Dave's kid did some vocals)