Saturday, June 27, 2026

Mermaid Avenue finally gets its 28 year delayed live debut at Solid Sound 2026















(credit: Gary Feldman)























Dateline Saturday June 27, 2026 - Williamstown, MA
Note: this was written less than 12 hours after the performance. I will continue to update as I come across more reports and reactions. I've experienced Mermaid Ave music via Wilco, Jeff solo, Jeff and Jay duo and all points in between since 1998. I still remember being blown away the first time I heard Wilco ever play Airline to Heaven - last night's set opener - in a semi-muddy field at a private college campus show in April 2000 (turns out it was the third time they'd ever played it) ). But last night's 28 year delayed live debut of Mermaid Avenue with the project's two main artists on stage together for the first time was some next level shit that rolled over several thousand Solid Sound attendees like a tidal wave of love and inspiration.


Way over yonder in the minor key
There ain't nobody that can sing like me
-- Woody Guthrie

A few days ago was the 28th anniversary of the release of Mermaid Avenue, the landmark colloboration of Wilco and Billy Bragg where they took unpublished works of Woody Guthrie and set them to music for the first time. 2 more volumes were created, and while both artists have continued to perform MA songs on their own (there have been almost 1000 Wilco performances of California Stars), there never was a tour or even a one off with Wilco and Billy together for reasons that are likely above my pay grade. Yesterday out on a packed Joe's Field at Solid Sound Festival (aka the best festival in the land) in The Berkshires (aka God's country), the live debut of Mermaid Avenue finally took place featuring the two primary artists involved in the project. That alone would've made the occasion newsworthy - the gaggle of photogs filing out of the pit after the third song was clown car huge - but it was so much more than that.

The performances were wonderfully organic and the vibe was exceedingly positive. Natalie Merchant was the big suprise guest (although some fans had pegged her participation early on), singing and dancing on a jaw dropping version of Way Over Yonder in the Minor Key that was simply stunning. Jay Bennett - who was so critical to the original Mermaid Ave project, something Jeff honored to start the encore in an incredibly touching, emotional tribute to his former band mate before launching into a devastating Another Man's Done Gone - was missing of course, adding an undeniable bit of poignancy to this 3 decade delayed debut. Wilco 2026 is a very different band than Wilco 1998-2000 (where many Mermaid Ave songs first were featured in Wilco, Jeff solo and Jeff/Jay duo setlists) but the New Wilco/Bragg synergy came off with only a few hiccups. Everyone rolled with it and nearly all of the arrangements seemed fresh, at times even exciting.

Woody's words, some dating back to the 1930s and crystal clear in a perfect mix, were the real star of the show, ranging from hard and profound to soft and tender....and chillingly prescient at times, too. The all star finale kicked off with the expected California Stars and was one for the ages featuring the addition of children of the performers, other SS participants plus many Guthries, including Woody's granddaughter, our old friend Sarah Lee Guthrie, back on her home turf as she took a verse on a wonderfully rousing This Land is Your Land (which also included Woody's daughter Nora and Jeff doing verses that we didn't sing when we were growing up). Sarah Lee's girls were also on stage singing along so there were 3 generations of Guthrie's present and accounted for. After the multitudes had cleared the stage, Nora Guthrie - who was the spark plug for bringing this project to life and finally got to see the live fruition of her efforts - gave a funny, insightful and moving speech, providing a perfect capper to one of the most special sets in the history of this extraordinary festival, where such moments are legion.

This one will be talked about for a long time.






Saturday, April 25, 2026

The Shit Hits The Fans: Replacements Archival Releases



THE SHIT HITS THE FANS:
REPLACEMENTS ARCHIVAL RELEASES

last updated 6/7/26





1985 - The Shit Hits The Fans (Twin/Tone limited cassette)


"The biggest mistake we ever made" - Paul Westerberg (2002)

A near complete live recording of a show from November 11, 1984 at the Bowery in Oklahoma City, OK. Released only as an authorized bootleg cassette - that has itself been bootlegged multiple times - this has become a prized totem amongst fans, still commanding a hefty price on the collectors market. The band's sound engineer, Bill Mack, gives an apparently definitive account of the origins of this unusual, legendary release in the liner notes of a bootleg LP made from this recording: a club employee recorded the show from the balcony on a cassette deck under the mistaken understanding that Paul Westerberg had given him permission. After the show Mack unceremoniously confiscated the tape. Within a few months it was rush-released as a limited run quickie live album, warts and all, complete with perhaps the first commercial use of Chris Mars' artwork. This isn't a pristine soundboard recording; far from it. But it's a perfectly enjoyable listen, capturing the band performing a loose, cover-heavy set in front of a very small crowd. The setlist is representative of the kind of chaotic live Mats performance - "drunk show" was a common shorthand descriptor used back in the day amongst those in the know - that some fans came to cherish and, for better or worse, became a crucial element of the band's reputation. Only 5 of the 24 tracks on this tape are originals, and only 3 of those had appeared on a Mats album at the time. The other two originals are especially noteworthy: a rare "Hear You Been to College" - the blues Mats style, with less than 20 known performances between 1984 and 1989 - and an early outing for future classic "Can't Hardly Wait," first performed live 4 months before this show and first demo-ed a few months later in Minneapolis at an exploratory Alex Chilton-produced session for the Tim album (it didn't make the cut and was eventually re-recorded and released 2.5 years later on Pleased to Meet Me). The cover song selection here is pretty wild, even by Mats "winging it" standards. Snippets, chunks and, occasionally whole songs are spewed out at random: the Carter Family (via Alex Chilton), obscure Robyn Hitchcock, Skynyrd, Sabbath, Zep, R.E.M., Jackson 5, X, U2, Motley Crue, etc - the tape ends with a few seconds of The Beatles song that shares the title of The Mats' then brand new studio album, released the month before this show. Of special note is the cover of "Left in the Dark" by The Vertebrats, the pride of Champaign-Urbana in downstate Illinois. It's a shoo in on any respectable list of best live Mats covers and seems to have only been performed by the boys a handful of times in 84/85 (Uncle Tupelo, who were coming of age at this time 685 miles down the Mississippi River from the Twin Cities, also memorably covered "Left in the Dark" live in the early 90s and recorded a demo of it). Kudos to the Mats for digging out this lost underground classic since the original incarnation of The Vertebrats were together for just a few years (1979-1982) and released only a lone single and a few comp tracks during that time. One of those comps - Battle of the Garages, on Greg Shaw's Voxx label, a fine 1981 collection of mostly obscure acts from the early American Indie Rock era - featured the original "Left in the Dark" and is where someone in The Mats camp likely encountered the song. While various bootleg CD and LP releases of The Shit Hits The Fans have shown up over the years, this "shit" has never been officially reissued in any form, nor has any of the material ever been a part of any other official Replacements release. INFO





1986 - Boink! (Glass Records mini-LP & cassette, UK only)


8 track UK compilation that included 6 tracks from Hootenanny and Stink. It sold well as an import in the states, and initially attracted considerable attention for two reasons: the inclusion of an unreleased Let it Be outtake ("Nowhere is My Home"), known to some fans from a dozen live performances in the last half of 1984 + the first reissue of "If Only You Were Lonely," which had previously only appeared on the b-side of the Mat's debut release, the "I'm in Trouble" 45 from 1981, and was still somewhat unknown to many fans at this point (it had been played live maybe a dozen times at the time of Boink's release). "Nowhere Is My Home" received a wider release on the 2008 Tim reissue (and recent box sets) as well as a 2023 limited edition 45. "If Only You Were Lonely" later appeared as an obvious bonus track on the 2008 Sorry Ma... reissue. Interestingly, both of these Boink! rarities were each performed about a dozen times during the Mats 2013-2015 Back By Unpopular Demand reunion tour. INFO






1989 -
Inconcerated Live (Sire promo CD / single sided vinyl)


Promo only release that featured 5 live tracks taken from a June 2, 1989 show in Milwaukee + the album version of "Achin' To Be" from Don't Tell a SoulThe vast majority of these were released on CD; the 12" vinyl version - all the tracks on one side and no artwork - is quite rare. The live track selection is interesting: 2 songs from the then current Don't Tell a Soul, 2 older Mats non rockers ("Answering Machine" and "Here Comes a Regular") plus a rippin' cover of The Only One's 1978 classic, "Another Girl, Another Planet," which first showed up in a Mats setlist in early 1986 and then quickly went on to become a solid live staple, with over 130 performances over the next 5 years, all the way up to the "final" Mats show in Chicago in 1991. There were also a handful of appearances in 2014/15 on the reunion tour. The live "AGAP" from this promo was also released on the b-side to the "Achin' To Be" single in Australia in 1989 and on a flexi-disc included with The Bob magazine in 1990. It finally reached a much wider audience in 1997 with its inclusion on the rarities disc of the All For Nothing - Nothing For All compilation. The full 1989 live show used for this was eventually released on the Dead Man's Pop box set in 2019 and the subsequent The Complete Inconcerated Live LP in 2020. INFO





1991 - Don't Sell or Buy, It's Crap (Sire promo CD & 12" vinyl)


Promo only release that featured 4 at the time unreleased tracks + the album version of "When It Began" from All Shook Down. One of the unreleased tracks was included on the All For Nothing, Nothing For All comp in 1997; the other 3 were included as bonus material on the 2008 reissue of All Shook Down. As with Inconcerated Live, the CD release of this is far more common than the vinyl. INFO





1997 - All For Nothing, Nothing For All (Sire 2xCD & digital)


1 CD of previously released "greatest hits" from the Sire era + 1 CD of b-sides, promo only tracks, compilation contributions and 12 unreleased outtakes: 6 from Tim and Pleased to Meet Me (all used on future archival releases), 4 from Don't Tell a Soul (alternate mixes of these appeared on Dead Man's Pop) and 2 from All Shook Down (both currently still available only on this release). Although missing anything from the Twin/Tone era - a critical flaw, for sure - this first ever retrospective of the Replacements career works admirably by not only giving their music a bigger audience 6 years after the band's dissolution, but also by laying the groundwork for a critical reassessment that would enhance their legacy in the coming years, consequently expanding their fanbase to a degree far exceeding their popularity while they were active. From a November 1997 review: "In total, the set constitutes a blueprint for the alterna-rock explosion ignited by Nirvana just one year after the Replacements split up." Reissued digitally in 2010. INFO  WIKI





2006 - Don't You Know Who I Think I Was? (The Best Of) (Sire/Rhino CD)


First Replacements release of any kind in 9 years. This marked the dawn of a new age for Replacements releases, reflecting the recent Warners/Rhino acquisition of the entire Replacements catalog. Sporting a typically Westerbergian title, this was a nicely packaged full career spanning retrospective of previously released material that included 2 new tracks recorded circa 2005 in Minneapolis at Flowers Studio with an ad hoc lineup. Perfectly timed for a new generation of Mats fans as the band's legend and reputation continued to grow a decade and a half after they broke up. More info HERE and HERE.






2008 - Catalog reissues 


With Rhino now overseeing the Mats catalog, an ambitious reissue project was launched in 2008 that covered the 8 major Replacements releases (5 on Twin/Tone and 3 on Sire). These were all single CD "deluxe" releases that included the album proper + bonus tracks featuring rarities and unreleased material + new liner notes & archival content. In most cases, the bonus material - carefully curated, almost always exemplary - from these releases ended up on future box sets for the respective albums that have received that treatment so far (as of Spring 2026, Stink, Hootenanny and All Shook Down haven't had large scale reissues). Some of the bonus material from these 2008 reissues first appeared on previous archival releases.
  • Sorry May, Forgot To Take Out the Trash (original release 1981) (Twin-Tone/Rykodisc/Rhino CD) 13 bonus tracks. INFO
  • Stink (original release 1982) (Twin-Tone/Rykodisc/Rhino CD) 4 bonus tracks. INFO
  • Hootenanny (original release 1983) (Twin-Tone/Rykodisc/Rhino CD) 7 bonus tracks. INFO
  • Let it Be (original release 1984) (Twin-Tone/Rykodisc/Rhino CD) 6 bonus tracks. INFO
  • Tim (original release 1985) (Sire/Rhino CD) 6 bonus tracks. INFO
  • Pleased to Meet Me (original release 1987) (Sire/Rhino CD) 11 bonus tracks. INFO
  • Don't Tell a Soul (original release 1989 (Sire/Rhino/Reprise CD) 7 bonus tracks. INFO
  • All Shook Down (original release 1991) (Sire/Rhino/Reprise CD) 11 bonus tracks. INFO





2017 - For Sale: Live at Maxwell's 1986 (Sire/Rhino 2xLP & 2xCD & digital)


After nearly a decade of no Replacements releases, this fantastic quality multitrack live recording of a February 4, 1986 show at the Maxwell's club in Hoboken, NJ got the ball rolling for a series of several Mats box sets and archival releases that is ongoing. This show took place during Bob Stinson's final months in the band (he departed a months after this show). The Mats played this legendary Jersey club at least 4 times between 1983 and 1989. INFO





2019 - Dead Man's Pop (Sire/Rhino box set - 1xLP / 4xCD & digital)


Archival reissue that reimagined the Mats 1989 6th full length album, Don't Tell a Soul, making a specific effort to address the widespread complaints about the album's original mix that had percolated since the albums release. Includes a new Matt Wallace remix of the album (Don't Tell a Soul Redux) on CD & LP + 1 CD of rarities + 2 CDs of live material (The Complete Inconcerated Live) from a June 2, 1989 show in Milwaukee, Wisconsin. 5 of these live tracks previously appeared on a 1989 promo release, Inconcerated Live (see above)INFO





2019 - Don't Tell a Soul: Outtakes and Alternates (Sire/Rhino limited edition cassette)



Released in conjunction with Dead Man's Pop, featuring 12 rarities from the box set + 2 tracks exclusive to this release: Asking Me Lies (outtake) and I Won't (instrumental Bearsville version). Included with the first 500 copies of Dead Man's Pop preordered from the Rhino website, plus an unspecified number were provided to independent record retailers. INFO





2020 - The Complete Inconcerated Live (Sire/Rhino limited edition 3xLP)


Vinyl reissue of the live album released the previous year on Dead Man's Pop. Exclusive Record Store Day release. INFO





2020 - Pleased to Meet Me (Sire Rhino box set - 1xLP / 3xCD & digital)



Expanded version of The Mats 1987 5th full length album. Includes a rough mix version of the album on CD & LP + a remastered version of the album on CD + 1.5 CDs of rarities, outtakes and demos. INFO





2021 - The Pleasure's All Yours: Pleased to Meet Me Outtakes & Alternates (Sire/Rhino limited edition LP)


Vinyl reissue of select unreleased material from the previous year's Pleased to Meet Me box set. Exclusive Record Store Day release. INFO





2021 - Sorry Ma, Forgot to Take Out the Trash (Sire Rhino box set - 1xLP / 4xCD)


Expanded version of The Mats 1981 debut album. Includes a new remaster of the album on CD + 2 CDs of rarities + 1 live CD of a January 23, 1981 live show at the 7th St Entry in Minneapolis that was partially broadcast on a local FM station + 1 LP: Deliberate Noise - The Alternate Sorry Ma ... which features the original tracklisting of the album using alternate mixes selected from the 2 rarities CDs. INFO





2022 - Unsuitable For Airplay - The Lost KFAI Concert (Sire/Rhino limited edition 2xLP)


Vinyl reissue of the live album released the previous year on the Sorry Ma, Forgot to Take Out the Trash box set. Exclusive Record Store Day release. INFO






2022 - Live! At Riot Fest Toronto
(Cobraside 2xLP)


Live recording of the entire August 25, 2013 Replacements set at the Riot Fest Festival in Toronto, the band's first live show in 22 years, dating back to the infamous 1991 4th of July "final" show in Chicago. Released with little advance notice and disappeared after the initial copies were sold. This reportedly was going to be the launch of a series of archival releases.... which ultimately began and ended with this release. There were rumors of behind the scenes disagreements within The Replacements camps that allegedly led to the scuttling of the project. This was released on vinyl only with red and green swirl color variants. This is one of only two titles on this list that was released outside the Twin/Tone, Sire, Warners/Rhino universe. INFO





2023 - Tim (Let it Bleed edition) (Sire/Rhino box set - 1xLP / 4xCD & digital)


Expanded version of the The Mats 1985 4th full length album. Includes a new Ed Stasium mix of the album on CD & LP + a remaster of the album on CD + 1 CD of rarities + 1 live CD of a January 11, 1986 show at the Cabaret Metro in Chicago. INFO





2024 - Not Ready For Prime Time: Live at the Cabaret Metro, 1986 (Sire/Rhino limited edition 2xLP)


Vinyl reissue of the live album released the previous year on the Tim (Let it Bleed) box set. Exclusive Record Store Day release. INFO





2025 - Let it Be (Sire/Rhino box set 4xCD & 4xLP & digital)


Expanded version of The Mats 1984 3rd full length album. Includes a new remaster of the album on one disc + one disc of rarities + 2 live discs from an August 17, 1984 show at the Cubby Bear in Chicago. This was the first Mats archival box set to be released in separate CD and LP configurations. INFO





2025 - Live at City Gardens 1984 (Sire/Rhino limited edition CD & 10" vinyl)


A short but significant archival release, featuring 6 live tracks from a soundboard recording of a February 11, 1984 live show in Trenton, NJ, released in conjunction with the Let it Be box set. The tracks are exclusive to this release. A very small number of CDs were used as a bonus add for early purchasers of the box set from the Electric Fetus store in Minneapolis and a 10-inch vinyl version was available with preorders of the box set from the Rhino store. Apparently the complete show wasn't recorded from the soundboard, hence the abbreviated tracklisting. This show has always been of great interest to hardcore Mats fans, primarily due to the inclusion of one of only 4 known performances (all in 84/85, all in the greater NYC area) of "You're Getting Married," a raw, extremely personal Westerberg original that started life as a solo demo in the early 80s and was briefly attempted with the full band at the Hootenanny sessions. The 1984 performance captured here is done with blistering passion and intensity, a jarring setlist outlier occurence that Peter Jesperson describes in the liner notes: "In all of The Replacement's lore, I think this is one of the greatest moments ever." A trove of early solo Westerberg demos, including "You're Getting Married," eventually popped up in collector's circles, as they often do. These crude but startling recordings are something of a lodestar in Mats World - frequently spine-tingling, absolutely revelatory and of undeniable historic importance, which eventually led to the original "You're Getting Married" demo finally receiving an official release on the 2008 Stink reissue and then again in 2021 on the Sorry Ma... box set along with 3 other early Westerberg solo demo recordings. INFO






Friday, May 16, 2025

Review: Swamp Dogg documentary "Swamp Dogg Gets His Pool Painted"



The new Swamp Dogg doc Swamp Dogg Gets His Pool Painted is currently showing and is absolutely worth checking out. It's funny, informative, insightful and moving all at the same time and is just wildly creative: a fast-paced stew of standard archival fare, animation, AI, cinema verite, amazing sound design & left turns galore. The film stars Swamp and his two musician housemates - including the late great Guitar Shorty, who passed away during the project - and a cast of supporting characters who spend a good chunk of the film sitting around the pool, natch. It's a wild ride, touching on everything from loss and grief to the sheer joy of creativity, with an imposing backdrop of Swamp's music and underrated lyrics throughout.

Filmmakers Ryan Olson and Isaac Gale worked on this for several years, with the editing alone taking two years. They've done a superb job shining a light on this American musical treasure, born Jerry Williams Jr, who released his first record (as Little Jerry) in the early 60s, followed by his rebirth as Swamp Dogg in 1970 with the still powerful, timeless psych funk soul of the Total Destruction of Your Mind album. (Hilarious aside: we learn that Mr. Psych Funk himself Norman Whitfield hung the ceiling fan in Swamp's "bachelor pad for aging musicians" in North Ridge and, judging from its current condition, this is something that happened a long time ago).

Swamp's life and career is almost too wild and crazy to capture in a 95 minute film - including stints as running a mail order record label that ran ads on late night TV + a stint managing a pre fame Dr Dre - but Olson and Gale somehow keep the needle in the groove with their usual flair and creativity.

The film is an inspiring testament to the importance of community, family and friendship, and how, for some people, creating art is part of their very soul, no matter how difficult that journey may be in the real world. Considering Swamp's largely unknown contributions to the music world for the last 7 decades - and the film does a very good job of putting his massive accomplishments into context - it's amazing how little he's been compensated materially for that, and it's even more amazing how that doesn't seem to have affected his drive to keep creating even now in his 80s. Swamp is above all else a survivor. Not making art is simply not an option for the (original) dee-oh-double G (there's a cool cameo from a reverential Snoop).

Steve Marsh conducted a great Q&A with Ryan and Isaac after last night's showing, adding even more juicy details to this already fascinating story.

Speaking of continued creativity, Swamp's fine new album delves into....bluegrass and is titled, appropriately, Blackgrass: From West Virginia to 125th Street. In the film he makes a reference to that golden time circa 1970 when all of the genres - rock, soul, funk, jazz, psych, country, blues - all peacefully, albeit briefly, lived in perfect harmony before everything got Balkanized (google "techno subgenres" for reference).



Photos from May 15, 2025 screening in Minneapolis at The Main.




Swamp Dogg Wiki HERE

Swamp Dogg Blackgrass review HERE & video HERE

Interview by Steve Marsh with Swamp Dogg & Moogstar HERE

Swamp Dogg discography HERE

Jerry Williams discography HERE

Little Jerry discography HERE




Friday, April 11, 2025

Al Sparhawk - First Avenue/Minneapolis, MN/10 April 2025: show review


Still trying to process the Al Sparhawk show I saw last night at First Avenue. It was a tour de force, musically, emotionally and visually. Sparhawk was equal parts electro shaman and rock visionary: it was a punch-in-the-gut performance that was arresting, invigorating, challenging, enlightening and, ultimately, profoundly moving. It produced the kind of catharsis that only the best art can provide....something increasingly necessary in days like these.

I've watched Al perform in a variety of incarnations over the last year or so and heard (via live recordings) his new music - including many of these songs - develop in different forms: hard core electro funk with heavily processed/altered vocals, the delicious psych / funk of Derecho Rhythm Section, straight ahead rock, soul-revealing slowcore and all points in between. Recent Al live shows here in MSP and Duluth have often popped up with short notice and, other than the frequent Derecho shows, you never really knew what to expect, which adds a nice bit of tension to the new material that is exploding out of him with often ferocious urgency. His short outdoor 10pm set last summer at the Totally GNP block party - always a feast of delights - where he performed White Roses material in the middle of a packed crowd with just a microphone & blistering tracks blasting behind him while he ecstatically danced like a spirit possessed, had 4am Coachella rave tent intensity and was absolutely one of the best live performances I saw in 2024. 

The 2025 version of the "Al Sparhawk Band" is comprised of Al on guitar & vocals with his son Cyrus on bass (who has played with Al at almost every live appearance over the last 2 years) plus longtime collaborator Eric Pollard on drums. The setlist has been pretty static this year:

  • 6 opening songs from the current "controversial" White Roses album

  • 5 songs from the forthcoming collab with Trampled by Turtles

  • 1 song common to both of those releases, the devastating "Heaven" ("Heaven / It's a lonely place if you're alone / I wanna be there with the people that I love") delivered tonight with unprocessed vocals. "Get Still," the set opener tonight, is the other song that is on both White Roses, My God and Alan Sparhawk with Trampled By Turtles, but on this tour "Get Still" is being performed in the White Roses version.

  • 2 Retribution Gospel Choir tunes, including the unreleased "JCMF" aka "When Jesus Comes Back" which memorably exclaims: "When Jesus comes back / All you motherf***ers are gonna pay"

  • 2 songs that have been in every one of the two dozen or so Derecho Rhythm Section sets over the last few years, providing sonic and emotional relief in the midst of the storm (Al gave a nice s/o to Derecho mates Al Church and Izzy Cruz)

  • 1 Low song in the encore, tonight it was "Days Like These," one of Al's finest songs in recent years, with lyrics that hit home like a sledgehammer:

"When you think you've seen everything

You'll find we're living in days like these

No, you're never gonna feel complete

No, you're never gonna be released

Maybe never even see, believe

That's why we're living in days like these again"

 

(always a good time to revisit this video)


The emotional gravity of the songs Sparhawk has written the last few years is evident to anyone who is even slightly aware of recent events in Sparhawk's life. Witnessing them in person takes that impact to another level. 

After 80 minutes of testifying - wordlessly whirling around a dark stage with punishingly loud electro jams pulsing through the new, world class First Avenue sound system, unleashing Crazy Horse-ish walls of sound, or baring his soul to the cosmos - Al thanked the crowd, told them he loved them and then read this David Lynch quote to introduce the final song of the main set, a so far unreleased, hymn-like little ditty titled, appropriately, No More Darkness.

“Don’t fight the darkness.

Don’t even worry about the darkness.

Turn on the light and the darkness goes.

Turn up that light of pure consciousness: Negativity goes.”



SETLIST
Alan Sparhawk
April 10, 2025
First Ave - Minneapolis, MN

01 Get Still
02 I Made This Beat
03 Can U Hear
04 Station
05 Brother
06 Project 4 Ever
07 Heaven
08 Screaming Song
09 JCMF (aka When Jesus Comes Back)
10 Torn & In Ashes
11 Get High
12 Poor Man's Daughter
13 Too High
14 Liquid Love (Roy Ayer's cover)
15 Stranger
16 Not Broken
17 No More Darkness

Encore
18 Days Like These

  • 1-7: Alan Sparhawk - White Roses, My God (2024)
  • 1,7,8,10,13,15,16: Alan Sparhawk - Alan Sparhawk with Trampled By Turtles (2025)
  • 9: unreleased (previously performed by Retribution Gospel Choir & Al Sparhawk 2013-2025)
  • 11: Derecho Rhythm Section (released on Bandcamp in 2023 & performed live 2023-2025)
  • 12: Retribution Gospel Choir - (2010)
  • 14: Derecho Rhythm Section (performed live 2023-2025)
  • 17: unreleased (first performed in 2025)
  • 18: Low - HEY WHAT (2021)

Al Sparhawk: vocals, guitar (7-18)
Cyrus Sparhawk: bass, vocals
Eric Pollard: drums, vocals
Additional backing tracks used on 1-6


In related news....

The Alan Sparhawk and Trampled By Turtles album is supposed to come out on May 30, 2025, but cassette copies of it were being sold at the merch table, 7+ weeks before the official release date. Side A was the Sparhawk/TBT album with all of White Roses, My God on side B.

Nice guerrilla marketing!